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The Gallery

Roberta Bernstein

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut. Photo: Kate Ganz

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

Roberta Bernstein

Roberta Bernstein
A book from the Jasper Johns catalogue laying open next to a dark gray box with the remaining books from the collection.

Jasper Johns: Catalogue Raisonné of Painting and Sculpture by Bernstein

Our cover artist’s process

Roberta Bernstein
Roberta Bernstein
Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut. Photo: Kate Ganz

A book from the Jasper Johns catalogue laying open next to a dark gray box with the remaining books from the collection.

Jasper Johns: Catalogue Raisonné of Painting and Sculpture by Bernstein

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

Artwork by Maddie Hinrichs

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut. Photo: Kate Ganz

Roberta Bernstein
Roberta Bernstein
Roberta Bernstein

“After retiring in 2008 from teaching for 28 years at the University at Albany, I worked intensively on a book, catalogue raisonné, and major museum exhibition of contemporary artist Jasper Johns. I had met him in 1967soon after I first went to New York to begin my graduate studies in art history at Columbia University. I ended up writing my PhD dissertation on Johns and was able to tap into my understanding of his work that came from my personal experience of talking with him and watching him work as well as art historical research. Over the decades since, his art has remained fascinating to me, always evolving and challenging my eye and mind. Johns’s art has made a significant impact on the history of art through opening up new directions leading to Pop Art, Minimalism, and Conceptual Art. But even more importantly, it speaks to essential issues of the human condition including memory and mortality. His stature as one of the most significant artists of his time—he is now 91 years old—has been confirmed by the monumental retrospective currently on in New York and Philadelphia and the well-deserved accolades his art has received.”

A book from the Jasper Johns catalogue laying open next to a dark gray box with the remaining books from the collection.

Jasper Johns: Catalogue Raisonné of Painting and Sculpture by Bernstein

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut

Roberta Bernstein and Jasper Johns working in his studio in Sharon, Connecticut. Photo: Kate Ganz

Roberta Bernstein

Roberta Bernstein
Meta/Instagram ReelRoberta Bernstein
A book from the Jasper Johns catalogue laying open next to a dark gray box with the remaining books from the collection.

Jasper Johns: Catalogue Raisonné of Painting and Sculpture by Bernstein

Bernstein was co-curator of the exhibit Jasper Johns: ‘something resembling truth’.”

More Artists from the Gallery

Portrait of an Angel, 1984 oil on linen 60 x 48 in
Judith Braun, MA’82, MFA’83
There was Nothing – Kuch bhi Naheen Tha! (2017)
Yaminay Chaudhri, MFA’11
Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches
Dawn Clements, MA ’87, MFA ’89 (1958-2018)
A large wave of ocean water rising just before it crashes to the rocky shoreline.
Aaron Feinberg, BS’04
A humanoid figure stands at the end of a platform and looks at a sandy abstract shape forming in front of a yellow orange glowing light.
Deejay Forte, BA’10
What I See, What I Show
Maddie Hinrichs, MFA’22 candidate
Red into Green, 2021 House Paint on Panel Panels 36x24x4 in. 12 feet tall.
Ossie Jon-Nwakalo, BA ’18
Tidal, 2021 • Acrylic on linen over panel • 28” x 22”
Jenny Kemp, MFA ’12
Satellite Abstraction 3, 2019 • digital inkjet prints, acrylic, rubber vinyl mono print on black stonehenge • 24’x32’
Darian Longmire, MFA’18
Glyph 59, 2021 • Ink, flashe, and thread, on cotton rag paper • 16 x 16 inches
Pam Poquette, MFA’17
Tall emerald green wardrobe embossed with circle pattern.
Sandra Scolnik, MFA’97
The Ocean Beneath the Ocean with Water made of Diamonds, 2021 Acrylic, gouache, alone shell, and glitter on archival paper • 29.5 x 42 inches
Alisa Sikelianos-Carter, BA ’15, MA ’17
Untitled, 2019 • Oil on canvas • 50 x 70 in
Jansson Stegner, MFA’01

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UAlbany Magazine tells the stories of our accomplished alumni, academic endeavors, vibrant campus life and cherished traditions of the University at Albany, State University of New York. It is published twice a year in print. Additional digital content is released on our website and social media platforms throughout the year.

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