Judith Braun, MA’82, MFA’83
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Portrait of an Angel, 1984 oil on linen 60 x 48 in
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Fingering #16, 2013 charcoal fingerprints on wall, (Visual Arts Center of New Jersey), 12 x 12 ft
Judith-Braun-Headshot_CMYK.jpg)
Coming out of the UAlbany Master of Fine Arts program in 1983, I was a figurative painter, influenced by artists such as Rembrandt and Dürer, and interested in imbuing life into the abstract construct of angels. Over the following decades my work has radically evolved and yet I am still giving form to that which glows in the dark and to the symmetries of life; the knowable and unknowable, darkness and light, the body and the mind, not to mention the dualities of myself.
Judith Braun, MA’82, MFA’83-BKS-16-2.jpg)
BKS-16-2, 2008 graphite on dura-lar 16 x 16 in
Portrait of an Angel, 1984 oil on linen 60 x 48 in
BKS-16-2, 2008 graphite on dura-lar 16 x 16 in
Fingering #16, 2013 charcoal fingerprints on wall, (Visual Arts Center of New Jersey), 12 x 12 ft
Portrait of an Angel, 1984 oil on linen 60 x 48 in
BKS-16-2, 2008 graphite on dura-lar 16 x 16 in
Fingering #16, 2013 charcoal fingerprints on wall, (Visual Arts Center of New Jersey), 12 x 12 ft
Portrait of an Angel, 1984 oil on linen 60 x 48 in
Coming out of the UAlbany Master of Fine Arts program in 1983, I was a figurative painter, influenced by artists such as Rembrandt and Dürer, and interested in imbuing life into the abstract construct of angels. Over the following decades my work has radically evolved and yet I am still giving form to that which glows in the dark and to the symmetries of life; the knowable and unknowable, darkness and light, the body and the mind, not to mention the dualities of myself.
BKS-16-2, 2008 graphite on dura-lar 16 x 16 in
