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The Gallery

Dawn Clements, MA ’87, MFA ’89 (1958-2018)

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches. Image courtesy of Peirogi Gallery. Photo: John Berens

Dawn Clements, MA ’87, MFA ’89 (1958-2018)

Dawn Clements, MA ’87, MFA ’89 (1958-2018)

Our cover artist’s process

Dawn Clements, MA ’87, MFA ’89 (1958-2018)
Dawn Clements, MA ’87, MFA ’89 (1958-2018)
Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches. Image courtesy of Peirogi Gallery. Photo: John Berens

Artwork by Maddie Hinrichs

My Desk, 2009, Ballpoint pen in on paper, 18 x 79 inches. Photo: Joe Amrhein
Susan Rethorst’s, 2011, Sumi ink on paper, 120 x 23 inches. Photo: Joe Amrhein
My bed pleins d’odeurs légères, 2007, Gouache, ballpoint pen ink, graphite on paper, 119 x 166.5 inches. Photo: John Berens
Mrs. Jessica Drummond’s (‘My Reputation,’ 1946), 2010, Ballpoint pen ink on paper 87.5 x 240 inches. Photo: John Berens
First Class (‘A Night to Remember,’ 1958), 2007, Sumi ink on paper, 66 x 396 inches. Photo: John Berens

‍

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches. Image courtesy of Peirogi Gallery. Photo: John Berens

Dawn Clements, MA ’87, MFA ’89 (1958-2018)
Dawn Clements, MA ’87, MFA ’89 (1958-2018)
Dawn Clements, MA ’87, MFA ’89 (1958-2018)

The New York Times obituary for alumna Dawn Clements included a quote from the artist explaining her perspective: “I’m interested in the way we see as we move through life, instead of when we’re sitting still.” The way Clements saw life and then rendered it through her art brought her to the heights of success. Her work is included in the permanent collections of prestigious museums and galleries worldwide and continues to garner acclaim. In 2021, her solo exhibition Living Large: 

‍A Survey was named as one of the Top 10 United States Art Shows. We are honored to remember Dawn Clements.

“The images in the drawings are often close to the size of the spaces and objects represented. When a drawing is very large (i.e., 10feet in either dimension), I cannot see the entire drawing as I am working. Asa result, each successive image I draw is a response to the last thing I drew, almost never a response to the work as a whole, a little bit like taking a long walk. As a result some distortions and surprises arise, resulting in a highly subjective sense of point of view. The adding, the folding, the drawing: all are evidence of my physical process, in a way, an expression and document of my movement and states of mind.”

My Desk, 2009, Ballpoint pen in on paper, 18 x 79 inches. Photo: Joe Amrhein
Susan Rethorst’s, 2011, Sumi ink on paper, 120 x 23 inches. Photo: Joe Amrhein
My bed pleins d’odeurs légères, 2007, Gouache, ballpoint pen ink, graphite on paper, 119 x 166.5 inches. Photo: John Berens
Mrs. Jessica Drummond’s (‘My Reputation,’ 1946), 2010, Ballpoint pen ink on paper 87.5 x 240 inches. Photo: John Berens
First Class (‘A Night to Remember,’ 1958), 2007, Sumi ink on paper, 66 x 396 inches. Photo: John Berens

‍

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches

Three Tables In Rome, 2017 Watercolor on paper 85 x 248.5 inches. Image courtesy of Peirogi Gallery. Photo: John Berens

Dawn Clements, MA ’87, MFA ’89 (1958-2018)

Dawn Clements, MA ’87, MFA ’89 (1958-2018)
Meta/Instagram ReelDawn Clements, MA ’87, MFA ’89 (1958-2018)

More Artists from the Gallery

A book from the Jasper Johns catalogue laying open next to a dark gray box with the remaining books from the collection.
Roberta Bernstein
Portrait of an Angel, 1984 oil on linen 60 x 48 in
Judith Braun, MA’82, MFA’83
There was Nothing – Kuch bhi Naheen Tha! (2017)
Yaminay Chaudhri, MFA’11
A large wave of ocean water rising just before it crashes to the rocky shoreline.
Aaron Feinberg, BS’04
A humanoid figure stands at the end of a platform and looks at a sandy abstract shape forming in front of a yellow orange glowing light.
Deejay Forte, BA’10
What I See, What I Show
Maddie Hinrichs, MFA’22 candidate
Red into Green, 2021 House Paint on Panel Panels 36x24x4 in. 12 feet tall.
Ossie Jon-Nwakalo, BA ’18
Tidal, 2021 • Acrylic on linen over panel • 28” x 22”
Jenny Kemp, MFA ’12
Satellite Abstraction 3, 2019 • digital inkjet prints, acrylic, rubber vinyl mono print on black stonehenge • 24’x32’
Darian Longmire, MFA’18
Glyph 59, 2021 • Ink, flashe, and thread, on cotton rag paper • 16 x 16 inches
Pam Poquette, MFA’17
Tall emerald green wardrobe embossed with circle pattern.
Sandra Scolnik, MFA’97
The Ocean Beneath the Ocean with Water made of Diamonds, 2021 Acrylic, gouache, alone shell, and glitter on archival paper • 29.5 x 42 inches
Alisa Sikelianos-Carter, BA ’15, MA ’17
Untitled, 2019 • Oil on canvas • 50 x 70 in
Jansson Stegner, MFA’01

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